Sunday, September 29, 2013

Humanism

Humanism was a major part of life for Roman and Greek citizens in the 15th century. Humanism was the city states main intellectual experience with a concern for Greek and Roman literature. Everything from poetry, geography, and science were taught but a humanities (a philosophical focus of man in society) became the main focus. Young men who were destined to hold leading social positions for practical life were taught humanities from a young age until about 13 or 14 unless they planned to work in a church. Lower middle class boys started a trade at around age 7.

A humanist from the time quoted that, “Without knowledge of Greek, Latin scholarship itself is, in any real sense impossible.” Poetry was a guide and a shaper for men. Humanists loved and valued Dante, however there became a great debate between the use of poetry linked to Christianity. They believed that nothing moved passions more effectively than the power of language. This being a reason that humanism was so valued. Humanists perceived that public men need the art of rhetoric, the power to bring conviction to different minds. This was especially an urged study for princes, noblemen, statesmen, and citizens. It was important for them to convey ideas to the public and persuade them about their ideas in order to be a good ruler. To be able to speak and write with elegance was a clear advantage. Humanists looked to history to see what it could tell them about their own experiences. Knowing that history repeats itself and knowing what they could do differently when it did could only help them further themselves in society and become all around better.

Sunday, September 8, 2013

Leoanrdo Flights of the Mind pg. 130-160

Leonardo: Flights of the mind pg. 130-160

In 1477, Leonardo started his own studio in Florence. He had spent the last ten years in being Verochios apprentice and assistant. This is when he first becomes truly independent. A letter found in the 1990's provided evidence of his first assistant, Paolo. Paolo had spent some time in prison (it is thought because he was a homosexual) and much like Leonardo, he didn't grow up with a father, so Leonardo helped play a father-like role in his life.
Leonardo received his first recorded commission on 10 January 1478 from Signoria for a large altar piece to hang in the chapel of Palazzo Vecchio, however Leonardo was actually offered this after the first choice turned it down. This project became Leonardo's first to be abandoned, which didn't help matters with his career. He had started work on theproject to cover up a painting done by Bernado Daddi, to be done in the same theme. After Leonardo abandoned the project, Fillipino Lippi finished the painting using Leonardo's prep drawings for the painting.
Some years later, four men set out to assassinate, three of which were captured, but one got away. The man was found and brought back to Florence and hanged at the bell tower of the cathedral. Leonardo sketched the event and wrote descriptive notes on the page describing what the man was wearing.
Tommaso di Giovanni (known as Zorastro) was another one of Leonardo's assistants. Confirmed documents record payements to him for work as an apprentice in April and August of 1505 where he is described as Leonardo's 'garzone' whose job was to grind the colors. It is thought that he was a part of Leonardo's life before this, in the 1490's while Leonardo was in Milan. This was mentioned in a poem found by an anonymous writer. Tomasso was born around 1462 in the village of Pertola and died in Rome in 1520. He was the son of a gardener, but claimed to be the illegitimate son of Bernardo Rucellai, the brother in law of Lorenzo the magnificent. For some time he was known as 'Indovino' (meaning: fortune teller). When he went to Milan with Leonardo he professed the art of magic. He was an independent craftsman in Leonardo's studio, working with metal. He was interested in alchemy and chemistry and a great expert in mining. He was everything from a jester, musician, to an engineer.
If Tomasso was an apprentice for Leonardo in the late 1470's then he would be associated with Leonardo's early efforts as an engineer. Leonardo was involved with hoists and cranes when he was involved in placing the palla on top of the Duomo. Vasari mentioned Leonardo's interest in heavy lifting gear by means of levers, hoists, and winches which can also be seen by sketches done by Leonardo.


 Leonardos connections with rimesters, like Cammeli and Bellincioni led him to yet another accomplishment. He was a brilliant musician, particularly good at playing the lyre. In 1482 he was presented to the Milanese court as a musician rather than a painter or a technologist.